Canon c log lut12/30/2023 In this case the Histogram is your best friend, examples, you always want the "light mountain" to be in the middle and fall off nicely on either side - nothing too dark and nothing too light - if it's pushed to the left the image will be too dark, pushed to the right the image will be too bright. If there is noise in the image, you'll want to bring down the shadows to reduce the visibility of the noise, not boost the brightness which will only introduce more noise. This all run counter to taking photos, where we are taught to expose for the sky in outdoor scenes and bring back the shadows in lightroom. Where under exposed footage will only reveal the Noise when you try to correct it in post. Even 3 stops will still produce a usable image corrected in post. Pushing the exposure 1-2 stops over are easier to recover than 1-2 stops below. And also, the advantages of ALL-I also include the fewer computers processing power which results in smoother playback and faster editing.įor the cleanest footage on the EOS R the Native ISO - 400, anything below or above will add a bit of noise, and the further you push it the more noticeable the noise will get. Alright? - Unless you are running out of storage on your card and don't have time to clear it and need to keep shooting - perhaps that is an instance you can drop it down to IPB to get more footage.Ĭhoose ALL-I compression for the highest quality. Ultimately shooting with ALL-I you'll see cleaner footage.ĪLL-I footages requires less computer processing power than IPB compression. so I recommend shooting with ALL-I always. Overall files are much larger - about 3 times larger than IPB compression. Individual frames are much higher quality than IPB compression. IPB vs ALL-I are different methods of compressing movie files.Īll-I was designed for higher-end cameras to capture the highest quality possible. High ISO Speed NR: to be honest I leave this off, and add Noise Reduction in post as needed, if I under exposed the footage.I personally add a bit of orange to the footage, that's my preference. White balance: I leave at 0 and 0 - but if you want to add a bit of blue to the footage to reduce the canon orange.I leave these settings off, as I like the natural "flaws" of the lenses - Here's an example. Lens Aberration correction, this corrects the natural lens distortion, it's a nice touch, similar to what I do with photos in Light room - Sam with the chromatic aberration correction.Sound recording: I have it on manual, see the video here where I talk about why.Movie Cropping: good for Lenses that don't cover the full sensor, so if you ever find that you see the edges of the lens, you can use this.Characteristics: I Leave at 0 - especially sharpens, as this I add in my NLE.Color Matrix: Cinema EOS Original, this emulates the Cine line of camera in the C-Log Profile.View assist on: This places a lut (rec 709) to the view finder and screen so the footage doesn't look flat, and helps you see what it will look like, but the file that is saved on the SD is the Flat C-Log.Ok let's go over all the settings I use to shoot C-Log Give this video a big Thumbs up if you want to see that.Īlso, Near the end of the video I will show you why it's always better to slightly over expose your footage - It'll help reduce noise and consistently get you useable footage. In a future video I will show how to color correct C-Log footage with out luts, and also which luts I do use when I know it will work. Or set it to 2 if you want something pleasant right out of camera without the crunchy video look. If you are not comfortable color correcting Log footage, You have two options - learn it, (it's not that hard to correct it) or don't shoot with c-Log, use a standard picture profile just reduce the sharpening - I would recommend the neutral picture profile, and sharpness to 0, and add a bit of sharpness in your editor of choice, that way you can dial it in. On my C200, I actually shooting Canon Log Over C-Log 3 to easily match the two cameras in post, if I choose to use LUTs they are very similar right out the gate. Internal recordings using Canon Log are 8-bit, and 10bit for external in 4k only - for today we will only deal with 8bit internal recording. Today we are talking about setting up the EOS R for shooting c-log footage, and what settings I use I get it close to matching footage from the Canon C200.Ĭanon Log has been in Canon Cinema EOS cameras from the very beginning. Canon Log enables up to 12 stops of dynamic range, reduces heavy shadows and blown-out highlights, and provides an even better source file from which to perform extensive color grading in post-production.
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